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The Subject of Creative Process and Its Specification Levels
While classical science defines objects of research, Semantic Analysis studies the subject of a certain creative process.
Any level of reality is contrasted to one subject who experiences this reality as a stage of generating a certain content. Every evolutionary stage defines concrete opportunities for realization of this content in the form of processes that create conditions vital for the next stage. These opportunities define a corresponding subjectness or subject-involvement. Every subjective reality correlates to a subject realizing a certain opportunity. In fact, creativity becomes a source for generation of different levels in specification of the subject of evolution.
Thus a subject as "infinite content" "unfolds itself" in creative acts (stages of evolution) of outside reality in "finite contents". In subjective reality these contents are actualized as processes experienced by the subject of perception. Generating the objective component of subjective reality, the evolution determines all its perceptional opportunities for a subject in different reference systems. The principle of subject-world perception within the existing requirement of a subject of evolution is carried out by the subject of perception in specific individual acts of perception within every type of subjective reality (in every admissible reference system of the subject space).
The subject of evolution is specified in the hierarchy of ego-subject levels: the subject of a requirement; subject of perception and other. They are correlated with a specific subject and subjective reality.
We are basically considering a definite level of subjectness as a result of a specific development stage in the context of relevant properties: physical, biological, social, psychological, etc. This way we are defining a specific subject reality and correlating it to the subject of this reality. At the same time, given subjectness is a stage of development as it is, the result of the evolution of the "meta-subject" that absorbs the ego-subject.
This is another type of hierarchical structurization in which an inferior-level system is "absorbed" by a "governing" superior-level system. A creative act is always carried out totally by the subject of a definite specific level as realization of an evolutionary demand under specific conditions.
It is evident that the process of realization of an evolutionary demand is in fact reduced to a definite system organization of subject and object reality, that means it is expressed in the increase in information and decrease in enthropy as a measure of chaos.
The subject of evolution is basically the subject of willpower in relation to a certain meta-subject of a more specified requirement. Only one subject can be contrasted to any subject (or subjective) reality, this subject carrying out a variety of his opportunities at a definite level of his specification.
The foundations of Semantic Analysis are basic principles that define the "how" the subject receives a representation of "the outside object world" on the basis of his experience in a relevant subjective reality. Those principles are objective, or set from outside concerning a concrete level of subjectness, and hence being independent of the ego-subject.
While classical science postulates the presence of the object world as a given prime and studies object-to-object relations excluding the subject from this world; Semantic Analysis studies the ways the object world is constructed, issuing from subjective reality and external evolution-grounded principles of this kind of "objectivization".
Taking this as an initial approach we have no right to postulate the presence of "outside" object reality. Instead, we focus on the statement of principles independent of a specific subject that lead him to creating both the concepts of reality and ways of its conceptualization.
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